Quilts in Art

Artwork depicting quilts is certainly a small niche, but it occupies a little place in the art world all the same. Artists that take the trouble to render a colorful patchwork quilt in a scene are giving themselves more painstaking detail work, but the end result is generally so nice that it’s worth it. I, personally, love quilts in artwork and have amassed a pretty nice collection on my Pinterest board.

One artist I really admire, Helen Klebesadel, does gorgeous watercolors of all sorts of subjects, but her quilt series is really beautiful. Then there is Fraser Smith, who carves wood into the shape of a hanging quilt and paints the colors in. They look so realistic!

I just came across this article about Dennis McGregor, who is no stranger to painting quilts, in fact, he is hoping to publish his illustrated book with the help of Kickstarter donations. I hope he reaches his goal – his illustrations are lovely, and the story sounds fun, too.

And then there are Barn Quilts, Quilts in photos, Quilts as Art, the list goes on. It’s so interesting to me that quilting, so creative itself, is inspiring creativity in so many different media.

The Broken Star Quilt 011 Quilts in Art

The Broken Star Quilt by Fred Fellows

I’d better get back to work, but I just wanted to share a little eye candy to brighten the last weekend of National Quilting Month… Make sure to follow us on Facebook for all the latest news, hints, giveaways and quilt-related fun, and have a great weekend!

 

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Another Giveaway — Just for Fun!

[Please note: this giveaway has ended. Congratulations to Kathryn, winner of this fabulous Riley Blake package! Thanks to all who entered!]

It’s Wednesday and it’s the last week of National Quilting Month so we thought we’d give away this fabulous collection of Riley Blake fabrics, buttons and trims.

Riley Blake giveaway 003 300x235 Another Giveaway    Just for Fun!

Fun stuff from Riley Blake!

Tell us what you would do with these. Leave a comment below by midnight Mountain time Sunday, March 31, 2013, for your chance to win. One lucky winner will be drawn at random. One comment per person please.

This giveaway is open to those who have not won anything from Quilters Newsletter in the last 90 days.

Good luck!

Posted in Bill Gardner, Contests, Uncategorized | Tagged , , , , , , | 541 Comments

The Beginning of Quilt to Give

Editor’s note: This week’s guest blogger is Nancy Zieman, author, pattern designer, businesswoman, producer and national sewing authority, as well as host of Sewing with Nancy, which appears exclusively on public television stations across the U.S. and Canada. Follow Nancy’s blog and sign up to receive Nancy’s E-News for information on sewing, quilting and creating.

By Nancy Zieman

Almost two years ago, I decided to make a full-sized quilt and give it away after seeing the devastation of the tornado in Joplin, Missouri, in May 2011. I couldn’t travel to Missouri to help, but I could make a quilt that would show that I cared. I chronicled the 10-day journey on my blog, varying a popular quilt design that I featured on Sewing With Nancy, called the Column Quilt. The quilt designed with columns, instead of blocks, was speedy to piece.

Lead 21 300x214 The Beginning of Quilt to GiveChanging the center of each column to a random design and using my fabric stash — mainly the leftovers from other projects rather than a specific fabric collection — is how I varied the project I call Quilt to Give.

My hope was that others would follow suit, quilting then giving. With instructions on how to make bed quilts — twin, double, queen, and king sized — these substantial sized quilts could fully cover a bed to show support and friendship to those in need.

Hope turned to reality. It was exhilarating to read how others followed the 10 online lessons, making then giving away quilts. The need for bed-quilts seems unending. A fire in your neighborhood, a call for quilts from a local shelter, and of course, national disasters that affect so many are just a few of the places where quilts made with love are needed.

10 Online Lessons

If you’d like to quilt along, just follow the 10 online lessons. Steps take just hours, some a little longer. Ask a quilting buddy or buddies to join in!

Step 1 — Sort out fabrics from several stashes

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  • Begin by selecting several prints that will be used as inspirational fabrics.
  • Gather solid-color fabrics that coordinate or match with each print. Choose as many solids or mottled fabrics (subtle prints that appear as solid colors from a distance) as possible for this project.

Step 2 — Cut column strips and center patchy strips

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  • Learn how to cut the column and “patchy” center strips.
  • It’s exciting to see what you can find in your inventory of fabric.

Step 3—Stitch column lengths

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  • This is the quickest lesson; you need one of those now and then. Just stitch the quilt columns end to end.
  • Determine a layout.

Step 4 — Stitch the patchy center columns

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During this lesson, learn a few tried and true tips on how to create a patchy center. There are a lot of straight seams to be stitched.

  • Pick up pointers on how to pair colors and strip sizes.

Mindless sewing is very contemplative; a great time to plan and think!

Step 5 — Create the columns

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  • Now’s the time when the quilt starts to come to life. The solid columns center the patchy columns.

Step 6 — Piece the quilt top

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  • Quilt sizes range from twin to king, or 10 to 15 columns. There’s a lot straighter stitching!

Make sure you have a space to layout out and admire your work!

Step 7 — Audition borders

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  • I thought for sure that a scrappy border was in order. Not so. The auditioning step proved me wrong.

You’ll find the needed yardage requirements for the borders in this lesson. It might be necessary to buy additional fabric for the borders and binding.

Step 8 — Add Borders

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All but the twin sized quilt top require double borders. Like a picture frame, this close-to-the-end step sets off the design.

Step 9 — Layer and Quilt Your Creation

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My friend Sue Petruske of Pleasant Valley Farm Longarm Quilting was called upon to quilt the layers. She’s a master at long arm quilting.

Step 10 — Binding and Labeling

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Sharen, one of my ace sewists, stitches on the finishing touches.

Quilt to GivePhase Two—a Community Service Project

The time came to plan a community service project for the annual Quilt Expo in Madison Wisconsin. I knew that the Quilt to Give project was a worthy candidate. But the magnitude of this project seemed great. In the past, we stitched small projects — projects that took 30 minutes!

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With a little creative thinking and help of many willing hands, including the set-up and use of machines from Baby Lock, we set-up a sewing/quilting area with 10 sewing machines, a longarm quilting machine/frame, and plenty of cutting tables, ironing stations, and many willing hands.

A call for fabric

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In the event brochure and through emails, a call for fabrics was made. One table was set up for sorting.

Selecting the quilt fabrics

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One of the volunteers was selected to sort and determine fabrics for each quilt. We also had several prepared in advance. A tray per quilt was allocated and a Quilt to Give Worksheet was developed.

Press, then cut

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Following the worksheet, volunteers cut and prepared the strips.

Let the stitching begin

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With the help of two full-time volunteers, Rachel and Theresa from M&R Sewing, the quilts were stitched, sewn, and pressed. Four or five quilts were being assembled simultaneously.

The quilting process drew a crowd

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Baby Lock educators were there to stitch the layers together. Without their help, we would have lots of sewn tops, but no finished quilts.

Ta da!

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It’s enjoyable to see all the color combinations of the finished quilts.

Some quilters brought their finished quilts, made at home from following the online instructions.

The Giving Part

The first year 30 quilts were donated and/or completed at the event; this past year the number was 37. Quilts were sent to St. Johns Medical Center in Joplin in 2011. Half the quilts went to employees at the hospital who lost their homes; the remaining quilts were given to community members.

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This year quilts have been given to local charities and individuals and families who have lost all their belongings due to fire.

Giving 3 300x225 The Beginning of Quilt to GiveFor more information on how to Quilt for Others with Quilt to Give, download the free worksheet and follow the lesson plans. It’s work, yes, but greatly rewarding and gratifying.

The gift is in the giving!

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My Mystery Quilt – part 2

I’m disappointed in myself this morning. All last week I sewed at home with the goal of having my mystery quilt finished in time to post photos on the blog today. I didn’t make it.

On Monday I assembled the blocks.

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Monday evening

Tuesday, I put the top together.

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Tuesday evening

Wednesday is when things started slowing down. I wanted my quilt to be larger. I had more fabric so I decided to add borders. I wanted to increase the size by about 30 inches so it could a bed-size quilt. But just plain borders would not be interesting. I would need to add 15 inches on all four sides using just strips of fabric. No, I couldn’t do that.

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Wednesday evening, plan A

So I looked at the design elements in the quilt and decided to add two green borders, one checkerboard border and one border of the red floral. I decided on the size of the patches in the checkerboard border, which determined the size of that border, and from there calculated the size the inner part of the quilt top would have to be. Because the blocks are set on the diagonal, the math is not as simple as with square blocks but I figured it all out and checked to be sure I had enough fabric to execute my plan. RATS! I didn’t have enough of the green. So I worked on plan B.

The green borders needed to be narrower so I’d have enough green fabric. The important thing is to be certain the checkerboard border will fit the inside of the quilt. Because of the limited amount of green fabric, I added a narrow red floral border, then the green border.

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Plan B

If you are doing this kind of thing to your quilt, be sure to remember to take into account the amount of fabric you need to bind your quilt. In this photo, the binding (dark red), the second green border and the outer red floral border are pinned to my design wall so I don’t cut into them by mistake.

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Wednesday night

Thursdays, I seldom sew. I have a standing dinner date with one of my sons and his family. Then I head to our oldest son’s home for a visit with him and his family before I head home. So I made no progress on my project Thursday.

Friday night I finished the quilt top.

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Friday night

 I’d said all along I wouldn’t piece the back of this quilt as I usually do. It’s a great way to use the last of the fabric from the front and to use a significant amount of fabric from my stash. Besides that, pieced backs are just plain more interesting. Because of the time involved, I was going to buy fabric for the back of this quilt. However, when I got up Saturday morning, we were in the middle of a big snow storm and I didn’t want to leave the apartment so I pieced the back. It took all day but I love the back. You may not be able to see it, but the ivory is pieced too.

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Saturday night

Sunday morning I pin basted the layers together.

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Layered and ready to pin

I pinned the stars in the middle closer than usual because they are on the bias and more likely to try to bulge and pucker.

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Pin basting

I rearranged my living area so I have my table next to my sewing cabinet to expand the available sewing surface. I loved how this worked. I don’t have a place to sit and eat for a few days but I’m fine with that.

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My extra-large quilting surface

I wind at least five bobbins before I start quilting a quilt. Note to self: be sure the bobbin color is what you actually want to use before winding five of them. I wanted to quilt with red thread but I wound white bobbins, thinking I could get by with breaking the rule about having matching top and bottom thread. That was not a good thought. I couldn’t get the tension adjusted to that perfect spot where no red thread was visible on the back and no white thread was visible on the top. So I wound another five bobbins with red thread.

I’m always experimenting with new patterns with free-motion quilting and decided to try stitching hearts on this quilt. It’s fun. They aren’t excellent but they aren’t bad either.

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Free-motion quilted hearts

 But now, I have to get busy. I have a couple of work projects I’m really excited about. You’ll see more about them in the weeks to come.

Be sure to follow us on our website, Facebook, Twitter, Instagram and Pinterest to keep up on the latest happenings in our world.

Posted in Lori Baker, Mystery Quilt, Staff Quilts | Tagged , , , | 12 Comments

Free-motion Friday

I have recently been trying to improve my free-motion quilting skills. I went ahead and invested in a darning foot and I am ready to be great at it! I am definitely one of those people who wants to be good at something the minute I try it, but it has not been as easy to do as I had hoped. Everyone seems to want tips and tricks to somehow simplify free-motion quilting, but all the experts of free-motion quilting say the same thing. Practice. There really is no way around it.

Now, not to toot my own horn, but I am a pretty good doodler. I’ve been an asset to every Pictionary team I’ve ever been on. But putting pen to paper is way different than sketching with a needle and thread. For one thing, the needle stays in one place while the surface is moved around. If you are not careful, that needle could really hurt you, giving the whole enterprise a slight sense of danger. And what I’ve had a rough time with is getting the speed of the needle to work with the speed that I am moving the fabric.

So I’ve been practicing, as well as researching, and there are a few tips that I can share. When I interviewed Lorilynn King for our April/May 2013 issue, she recommended using a dedicated quilt sandwich and marking the date when you start practicing on it. If you keep using the same piece and put a few minutes of free-motion stitching practice on it regularly, you will see improvement which will encourage you to practice more. I do think it’s a helpful tip as I’ve been doing this at home, but the core of the advice is – wait for it – practice.

Another thing I’ve been doing that helps me is having several small quilt sandwiches by my machine and using those as a ‘warm-up’ before I start stitching on my actual project. I try some swirls and squiggles and then I write the alphabet, several times if I have too. Just as you are advised to stretch and warm-up before exercise or any physical activity to get ready for the serious work your body will be doing, if you warm-up before diving into free-motion quilting you are better prepared for it. More practicing.

alphabet Free motion Friday

While none of my alphabets are perfect, I see an improvement in the shapes, size and consistency of the letters, as well as the stitch length. Yes, I did replace ‘x’ with a letter of my own invention, but I’ll just chalk that up to creativity.

In our August/September 2012 issue, we had a great Workshop article by Leah Day about free-motion flowers. Talk about practicing free-motion quilting – this lady doesn’t mess around. Her work is so beautiful! Her Free-Motion Quilting Project is one of the best resources online for everything to do with free-motion quilting, and I highly recommend checking it out. However, in the magazine she gave a number of useful tips, too many to list here, but one that I found helpful and that I’ve been using at home is this:

“The only setting on my machine that I change before I start free-motion quilting is my stitch length, which I turn down to zero. This disengages the feed dogs without completely dropping them. I find that dropping the feed dogs interferes with the thread tension and I end up struggling to get good stitch quality. I saw a huge improvement in my tension and stitch quality when I started leaving them up.” Nothing said about practice, though she covers that in her other helpful hints, for sure.

So the best way to get better at free-motion quilting is to do it. I find that busy fabric patterns and crazy quilt style piecing is pretty forgiving, so I’ve been practicing on some ‘real’ pieced projects, similar to Mary Kate’s practicing on doll quilts. It’s a simple project without a huge investment, but simple projects need to be quilted also, making it a win-win.

Ultimately, as long as people are quilting, period, that’s good enough for me. Whether you prefer to hand quilt, machine quilt (straight lines or free-motion) or quilt exclusively on a longarm machine, please continue doing it! And please share it because we love everything to do with quilting! On Facebook, Pinterest, Twitter, Instagram, whatever. Oh, and if you have any free-motion quilting tips (besides practicing) please let me know. I can use all the help I can get! Happy quilting!

quilting Free motion Friday

Posted in Gigi, Staff Quilts | Tagged , , , , | 3 Comments

Hand quilting inspiration & resources

 Hand quilting inspiration & resources

Antique Willow quilt, owned by Bill Volckening as seen on his blog http://willywonkyquilts.blogspot.com

Here at Quilters Newsletter, we really do get to see the best of the best in all quilting techniques. Whatever your favorite type of quilt is, chances are we’ve had it here to have it photographed. I love getting to see them all up close, even closer than you can get to them at a quilt show. My aesthetic has been challenged many times and has evolved as a result, but one thing has not changed: hand quilting makes me swoon every time. And swoon is not a word I ever use. To be fair, expert quilting done by machine also makes me swoon — we recently had a quilt by Sharon Schamber here and I spent quite a bit of time with my nose just inches away looking at her amazing work.

I don’t know why hand quilting in general appeals to me this way, but it does. Maybe because it isn’t as prevalent — or maybe because hand quilters aren’t as prolific as machine quilters so their work isn’t seen as often — hand quilting is often portrayed as a dying art. I’m happy to tell you that it’s not. We did an informal poll on Facebook recently and found that many of our followers still love to hand quilt. And a look around the Internet will confirm that those hand quilters are not alone.

We’ve started a new board on Pinterest just to show “the quilting,” and I have a few more examples of fantastic quilting on my Mary Kate’s Faves board. If you’re looking for more places to visit online for a hand quilting fix, here are some I’ve found. Please feel free to share additional links in the comments section.

  • The Celebrate Hand Quilting blog (http://celebratehandquilting.blogspot.com/) is written by nearly two dozen passionate hand quilters and includes reviews of batting, frames, hoops, marking tools and needles. You can also join the Facebook group — there are some expert, award-winning and, dare I say, famous hand quilters who are active in the group and always happy to answer questions and offer encouragement. Have a question about a particular needle or how best to mark your quilt top? The CHQ Facebook group is where you want to be.
  • Just in general, Tim Latimer’s blog is full of hand quilting inspiration. This post in particular addresses the question of how to count your stitches if you care to.
stitches per inch 004 Hand quilting inspiration & resources

10 stitches per inch, hand quilted by Tim Latimer

  • Thimblelady out of Australia is a resource some of the Celebrate Hand Quilting members recommended on Facebook. She carries a variety of products and her website is full of tips and instructions for improving your hand quilting.
hand quilting stitches by liuxin copy Hand quilting inspiration & resources

I have never gotten anywhere close to that many stitches on one needle. Amazing.

Again, I’d love to hear about places you find hand quilting inspiration! Please leave them in the comments section.

 

Posted in Mary Kate Karr-Petras | Tagged , | 11 Comments

My Mystery Quilt

Sometimes, when we meet someone new, there is an instant connection. That’s what it was like when I met Alisha at Connecting Threads last year. A part of what we do at Quilters Newsletter is keep up with the current trends in fabric – colors, prints, fibers, etc. I met Alisha at International Quilt Market and we just clicked. She is more than an acquaintance, she is a friend. I follow the Connecting Threads blog to see what is going on in her world. Her blog last week (on March 13th) was especially nice. She talked about herself and what her job entails.

At the beginning of National Quilting Month I decided I wanted to do something new and personally challenging. On the Connecting Threads blog they announced a mystery quilt. It was a short one, all to be done in the month of March. I could handle that size of commitment. I’d never done a mystery quilt before so it seemed to qualify.

In week one, we were told what fabrics to choose. They had a number of different ideas in their packet. This was hard, hard, hard for me. I am a perfectionist when it comes to my sewing and to choose four fabrics without knowing how they were going to be used together was really difficult. Then, because of my ongoing quest to use the fabric I have; I had the additional “problem” of finding those four fabrics in my existing stash. No shopping allowed. Here is what I finally decided on.

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Here are the fabrics I selected.

I have a little hint for you here. Don’t forget your fabric has two sides. The white on my ivory tone-on-tone was a little too bright to suit me. So I flipped it over and used the wrong side. You can see the right side of the fabric on the left side in this photo and the wrong side of the fabric on the right in the photo. I hope you can see the white is more subtle on the wrong side of the fabric.

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My ivory fabric up close

Another hint, I labeled a small swatch of each fabric so I’d remember which fabrics were which numbers. I taped those swatches to the door of my sewing cabinet. This was after I’d had to refer back to the description several times. It was making me feel a little less than smart and wasting my sewing time.

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Swatches on my sewing cabinet

Here is an in-progress shot. I’ve completed week two and I’m ready for week 3.

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Week two sewing completed

Now week three is sewn and I’m trying to guess how the whole thing goes together.

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Probably not!

I’m pretty sure this isn’t it!

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I like this!

I might be on the right track here. But how do the parts I made in week two fit into the overall plan? I’ve been to the Connecting Threads blog this morning but week 4 wasn’t posted yet. I’m telling myself to be patient. (In the time since I wrote this and now, when I am finishing attaching the photos for you on the blog, the last segment is up and I can’t wait to go home and sew.)

Now let’s get back to my friend, Alisha at Connecting Threads. Here are the fabrics they are using at Connecting Threads. Aren’t they pretty?

Connecting Threads take 2 My Mystery Quilt

Connecting Threads fabrics

There are only 13 days left in National Quilting month. I wonder what quilting projects I can finish?

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Posted in Lori Baker, Mystery Quilt, Staff Quilts | Tagged , , , | 1,016 Comments

In a Bind with a Giveaway!

[Please note: this giveaway has ended. Congratulations to Andrea S, our randomly selected winner! Thanks very much to all who entered!]

Tomorrow’s National Quilting Day! I have some small quilt finishing to do, so I’ll be doing a bit of binding to celebrate tomorrow.

Do you like hand-sewing your bindings? After you’ve worked for weeks and are nearing the finish line, do you like to sit for an hour or more and hand-stitch your quilt binding? If you are anything like me, you want to finish the quilt already with a nice, quick binding attached entirely by machine in a fraction of the time. Which is great for quilts that are going to be used. However, if you want a show piece quilt with prize-winning potential, it seems like hand sewing your binding is the only choice.

But I’m not making those quilts. Not yet, anyway. Binding a quilt is necessary, however it’s done. What I usually do is stitch my binding by machine to the front of the quilt which is pretty standard practice. I then flip it over and and clip it in place with these handy new clips from Clover called Jumbo Wonder Clips. They are a nice alternative to pins with which I used to always poke myself and lose in the mass of my quilt (For a chance to win some Wonder Clips of your own, keep reading!). Instead of hand sewing the fold, I stitch in the ditch from the front, making sure to catch the fold on the back. It ends up looking like this.

sitd In a Bind with a Giveaway!

Which is fine. Sometimes the fold doesn’t get caught in the stitching, but using the clips as opposed to pins can help with that. And practice. Anyway, while there is nothing wrong with this technique, I thought I might be able to have a little more fun with it. So I tried out some of the great decorative stitches to see if that would add a nice touch to my binding. Some of them look really cool! You can get an idea of the different options that you could try below.

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sst In a Bind with a Giveaway!Looking good, right? I like the extra interest that the fancy stitches add, and they certainly secure that back fold. This was just a test, but I plan to use a technique like this on a quilt binding in the future. Another look I especially liked is below.

ss1 In a Bind with a Giveaway!Am I the only one who thinks that satin stitch with variegated thread looks amazing? It is such a nice touch and a cool way to further incorporate the colors of your quilt. This is another look I can’t wait to try on a quilt soon. And talk about securely attached – that binding isn’t going anywhere.

Anyhow, as I was saying before I got distracted by all the pretty stitches, my new favorite alternative to pinning the binding in place is using the Wonder Clips from Clover. They don’t poke you or fall off, keep your binding exactly where you want it, and they even have measurement marks on the clip. Very, very handy. That’s why we want to share them with you!

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Keep up with all of Clover’s happenings when you like them on Facebook. They have a ton of great quilting products and regularly introduce new ones.

If you’d like a chance to find out for yourself just how handy the Clover Jumbo Wonder Clips are, leave a comment below before 11:59 P.M., Sunday, March 17th, Mountain Time for a chance to win a pack of 24 clips. One comment per person, please. Open to those who have not won anything from Quilters Newsletter in the past 90 days. And have a wonderful National Quilting day!

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Paper Piecing with Debby Kratovil

(Editor’s Note: Our guest blogger this week is Debby Kratovil, author of Paper Piecing Perfect Points, Quilter’s Block-A-Day Calendar and Supersize ‘Em, all for Martingale. Here is some expert paper piecing advice from Debby.

By Debby Kratovil

I came early to paper piecing only because I worked on the editorial staff of Quilt magazine and was asked to design patterns to share with our readers. I was not impressed because it was SLOW and I didn’t want to spend all that time on little, bitty, tiny blocks with a zillion pieces! I saw the process that popular teachers used and I just didn’t get the appeal – hold your pattern up to the light? Cut large fabric pieces (aka as mega-wads) and hope they cover the patch intended? Leave the paper on when you join units? No thanks!

I jumped in and tried out a few of the blocks I designed. First, I supersized them from 3” and 4” to 8” and 10”! I streamlined the process realizing that you can pre-cut squares, rectangles and triangles to correspond with the patches so you can sew with confidence that you won’t have to “un-sew” an inadequate unit. None of this “hold it up to the light and pray to the fabric gods for special dispensation.” It was “trim, then sew” and not “sew, then trim.” I saw that using a ruler to trim a patch to 1/4” BEFORE adding the next patch assures a perfect alignment. I actually began to enjoy this!

My inspiration comes from traditional quilts. I love quilts from an era where the maker did not have computers. Only a pencil, paper and a clever brain! Antique quilts give me the most pleasure and I stand in awe of what these (mostly) women have done with minimal tools. Those with really sharp points and curves are the most amazing and those are what inspired me to create the quilts in my book.

Because I tend to sew for the camera, I let the fabrics do most of the work. If you look at most of my hundreds of patterns, they really are yesterday’s blocks with today’s fabrics. I also love to take a difficult block and streamline it so ANY quilter can make it using today’s tools.

I have taught hundreds of students in the classroom and thousands more via my patterns. I learned many things along the way and because my students give me some good feedback, here are some of the best tips.

1. Always cut and sew a sample block before cutting out an entire quilt. You may not like the one block; do you think you would like 16 of them even more?

2. Paper really does matter. Computer bond is too heavy. Consider tracing paper or any of the specialty papers on the market (my favorite is that put out by Martingale – fancy newsprint).

foundation papers Paper Piecing with Debby Kratovil

My favorite paper for foundation piecing

3. Shorten your sewing machine stitches slightly. It perforates the paper for ease in removal.

4. You can’t use pins with ball heads; they will get in the way when you fold the patterns back to trim and can cause a bad cut. My favorite pins are short, silk pins without heads.

foundation w pin 300x292 Paper Piecing with Debby Kratovil

Notice the small, short pin without a head

5. The most confusing part of paper piecing is the paper! It sits between you and your fabrics and some people feel like they’re driving blindfolded. I audition my fabric patches, laying them out on the foundation as they will appear when sewn. I sometimes indicate the colors, etc., on the unwritten side (that’s the side the fabrics show up on). The side with the writing is the side you sew on (sewing on the line.)

Waterwheels PatternB 238x300 Paper Piecing with Debby Kratovil

Shimmering Waterwheels pattern as seen in Paper Piecing Perfect Points

6. Remove all paper outside the pattern; you can’t paper piece on an 8-1/2″ x 11″ page when your pattern is only 5″ in size. It will cause you to overshoot the placement of your fabrics.

Waterwheels PatternA 180x300 Paper Piecing with Debby Kratovil

Pattern trimmed to the outside seam allowance

7. Once you cut out the pattern, fold along every line using a postcard. This will allow you to “see” the lines as you place the fabrics.

Waterwheels Folded 190x300 Paper Piecing with Debby Kratovil

Pattern folded along every line to help in placing fabric patches

8. After each stitched seam, fold the pattern back along the NEXT line and trim the just-added fabric, leaving a 1/4″ seam. Now you have the perfect edge to align the next fabric patch. No guessing. Holding a pattern up to the light to hope you can place it correctly is primitive at best – a lot of mistakes happen with this technique.

Waterwheels Trimmed 224x300 Paper Piecing with Debby Kratovil

Fold pattern back and trim fabrics, leaving 1/4" seam allowance

Waterwheels Trimmed2 224x300 Paper Piecing with Debby Kratovil

This is what it looks like on the front; no guessing as to where to add the next (red) patch

Waterwheels Trimmed3 201x300 Paper Piecing with Debby Kratovil

Easy to add the next patch - right along that nice, straight, trimmed edge

Waterwheels Trimmed4 300x224 Paper Piecing with Debby Kratovil

Stitched, folded/pressed and now ready to be trimmed

9. My patterns always give directions on pre-cutting squares, rectangles and triangles to best maximize your time and efficiency. I take the guesswork out of preparation. The precut patches are cut slightly oversized and assure the quilter that he/she will have adequate coverage on each patch when they sew.

Tanglewood Strips 300x231 Paper Piecing with Debby Kratovil

Patches pre-cut, according to the size needed for each space on the pattern

10. Consider using my “Patch of Shame” technique when you need to “unsew.”  When I need to unsew, my method is to save the seam and sacrifice the “Patch of Shame.” What? That’s the fabric patch that doesn’t quite cover the space it’s supposed to. You have to assert yourself and sacrifice it for the good of the project.  Grab the Patch of Shame and with a pair of sharp scissors, trim it away as close as you can to the seam. Now grab the remaining seam allowance and it will peel away. Everything’s removed except the seam stitches.

11. Begin and end your seams outside the seam allowance; when possible, begin sewing off the paper. You need stitching in the seam allowances as you do in traditional sewing.

Waterwheels Back with Paper 300x201 Paper Piecing with Debby Kratovil

Red circles and arrows show how seams have to criss-cross in seams

12. Most of the projects in my book involve sewing the curved pieced foundation to a curved background. You MUST remove the paper from the foundation before joining in order to have ample “ease” (remember setting in sleeves in garment sewing?) And while you’re at it, go ahead and remove all the papers from your finished foundations before you join them to other blocks. Your seams are short and nothing is going to come loose.

Paper Removal 300x193 Paper Piecing with Debby Kratovil

Remove paper before joining to the curved background

Waterwheels Unit 268x300 Paper Piecing with Debby Kratovil

Trimmed, paper removed and ready to join the curved background piece

Can you see those awesome sharp, pointy-points?

Waterwheels w BG piece 300x277 Paper Piecing with Debby Kratovil

Yes, these WILL fit together; sew slowly!

Waterwheels w BG piece2 300x202 Paper Piecing with Debby Kratovil

My best tip: notice the double pins at the straight ends to keep the ends STRAIGHT.

See those straight sides? My double pins held them in place.

2 Waterwheels 300x224 Paper Piecing with Debby Kratovil

Blocks ready for bottom triangles

About Debby

I came early to the internet with one of the oldest quilting web sites ever. I even brought Quilt magazine online as the first quilting magazine with an internet presence. But I only recently (April 2012) began blogging – kicking and screaming! But it is an awesome place for me to share my hundreds (yes, hundreds) of quilts, tips, techniques and lessons. I am promoting my book (Paper Piecing Perfect Points) by recreating many of the blocks with new fabrics. It’s true: you can change the personality of a block or quilt with completely different fabric. Check out my blog to see what I’m up to.

Be sure to follow Quilters Newsletter online and on Facebook, Twitter, Instagram and Pinterest.

 

 

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Stretching the boundaries

We’re now in the middle of National Quilting Month and today I want to challenge you to push your limits. Maybe it’s because I get bored easily but I’m always trying to learn something new that I can incorporate in my future projects.

2 11 2013 021 768x1024 Stretching the boundaries

My pink serger quilt

The quilt I’m showing you today is one of those “what-if-I-try-this?” kinds of projects. It’s a 10-year-old quilt but still worth talking about. I had a new serger and was testing what I could do with it. I’d never owned a serger before so there were lots of fun things to learn. I played with garment construction and making napkins, etc., but my love of quilting made me want to test the waters of quilting on a serger. So I decided to make this small wall hanging. The blocks are about 9” square.

I used a Linda Lee Vivian pattern and took off from there. I did rows of pintucking. I couched down the crocheted lace. I made the puffing and assembled the colored blocks. I joined the four rows of blocks together. Then I assembled the quilt top, batting and backing and attached the borders. All those steps, I did on the serger.

2 11 2013 024 1024x768 Stretching the boundaries

Detail of my pink serger quilt

The ivory blocks were quilted with my embroidery machine. The buttons were stitched on through all three layers (with my sewing machine) so the color blocks are not quilted but rather “tied” by the buttons.

I look at this quilt today and I see things that need to be done differently. The biggest thing is the border needs to be quilted so it lays flat. But I won’t go back and redo. I think it is okay to have things around that show how much my quiltmaking skills have improved.

My challenge to you this week is to try something new. If you’ve never done it before change the color palette from what is in the picture on a pattern to something you like better. Design your own quilt using a couple of your favorite blocks. Try a different technique than you usually do … paper piecing, applique or curved piecing. Or maybe you can do some surface embellishment … add some lace or beads or maybe fabric paints. You get the idea.

I’m taking my own challenge and doing something new. I’m beginning a mystery quilt. It’s quite a stretch for me. How in the world do you choose the fabric when you don’t know what you are making? The control freak part of me is … you guessed it … freaking out. Then add the fact that I won’t allow myself to purchase fabric. I’m making myself use fabric from my “inventory.”  This quilt is another of those things I’ll be showing you later on I’m sure.

But now, I best quit talking to you and start finding my desk. I spent most of last week sewing in the studio on a work project so I seem to have misplaced my desk. I know it’s under here somewhere.

Don’t forget the easy way to keep up on what we are doing around here is to follow us on Facebook, Twitter, Instagram and Pinterest. And visit our website too.

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